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Sans Serif Scripts Scrollwork Shadow Stock Certificate Swashes Victorian Western Word Art ARTISTS Arthur Vanson Brad King Bruce Bowers Charles Borges Chuck Davis Dan Sawatzky Dave Correll Dave Smith David Parr Denise Bayers Duncan Wilkie Francis Lestingi Jeff Marshall John Davis John Studden Kaitlin Sims Ken McTague Mark Searfoss Mike Erickson Mike Jackson Patrick Kalange Rob Cooper Steve Contreras Tom Kennedy PACKAGES 4 or More: Save 10% Ultimate Thes & Ands 62 Thes & Ands Bella Vista & Encore Borges Script Package Roebuck & Old Stock Design Kit 1 Design Kit 2 Design Kit 3 Design Kit 4 Design Kit 5 Design Kit 6 Sanborn Package Monogram Package Stock Certificate Package Saratoga Panels Racing Package Prismatic Package Fire Truck Package Victorian Package Confection Package 30's & 40's Package 50's & 60's Package Western Package Script Package 1 Script Package 2 Arthur Vanson Package Charles Borges Package Chuck Davis Package Dave Correll Package David Parr Package Denise Bayers Package John Davis Package John Studden Package Tom Kennedy Package GALLERY VIDEOS Most Recent The Journey of a Letter Using Illustrator's Find & Replace 3D Effects using LHF Versatile Scarlet Script Vector Fade Effect Using Glyph Palette in Photoshop CC Create Easy Chrome Effects Using LHF Flash Script Swashes Designing LHF Iron Lace: Part 1 Designing LHF Iron Lace: Part 2 Designing LHF Iron Lace: Part 3 Information Design View All STORE SUPPORT Frequently Asked Questions Why isn't my ordering going through? 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1950's / 1960's Fonts

It was a prosperous post-war era of sock hops, rock n' roll music and hot rods. Signs were neon and the lettering was flashy and fun. Scripts were popular for magazines and TV, while plain sans serif styles were being hand painted on truck doors. E.C. Matthews was a prolific "snapper" (a sign painter that specializes in quick, functional work) who published many books during this period, showcasing his styles and offering advice. Cecil Wade was a UK-based signwriter who also published lettering books and served as mentor to Arthur Vanson. I'm grateful that Arthur was able to preserve the styles he learned from Cecil, so that we may use them in our work today.